Real Art Ways | Independent Cinema | Contemporary Art | Live Art

This hour-long video program will be shown continuously in RAW’s Video Gallery and continued daily through December 31.

Premiering on World AIDS Day 2017, and showing at over 100 museums, galleries and cultural institutions across the world.

ALTERNATE ENDINGS, RADICAL BEGINNINGS is the 28th annual iteration of Visual AIDS’ longstanding Day With(out) Art project. Curated by Erin Christovale and Vivian Crockett for Visual AIDS, the video program prioritizes Black narratives within the ongoing AIDS epidemic, commissioning seven new and innovative short videos from artists Mykki Blanco, Cheryl Dunye & Ellen Spiro, Reina Gossett, Thomas Allen Harris, Kia Labeija, Tiona Nekkia McClodden, and Brontez Purnell.

In spite of the impact of HIV/AIDS within Black communities, these stories and experiences are constantly excluded from larger artistic and historical narratives. In 2016 African Americans represented 44% of all new HIV diagnoses in the United States. Given this context, it is increasingly urgent to feature a myriad of stories that consider and represent the lives of those housed within this statistic. ALTERNATE ENDINGS, RADICAL BEGINNINGS seeks to highlight the voices of those that are marginalized within broader Black communities nationwide, including queer and trans people.

The commissioned projects include intimate meditations of young HIV positive protagonists; a consideration of community-based HIV/AIDS activism in the South; explorations of the legacies and contemporary resonances within AIDS archives; a poetic journey through New York exploring historical traces of queer and trans life, and more. Together, the videos provide a platform centering voices deeply impacted by the ongoing epidemic.

Rearrange Me

An evening of musical contrasts and creative surprises as eight Connecticut artists play songs by each other, rearranged in their own characteristic performance styles.

Each of the eight Rearrange Me artists will be secretly assigned one of the other artists. They will then choose a song and perform it as though it was their own. This means that a folk artist, if assigned a hip-hop artist, will rearrange and perform a song by the hip-hop artist in folk style… and so forth.

Each artist will only know their own Rearrange Me assignment, so the audience and the other performers will hear the pieces for the first time together.

Produced in cooperation with Julie Beman.

Participating Artists:

Kate Callahan | Lys Guillorn & Her Band | Angela Luna | The Sawtelles

Self Suffice | That Virginia | Charmagne Tripp | Zoo Front

Hartt @ RAW

World Premieres of Electroacoustic and Acoustic Music

Hartford composers and Hartt School faculty Lief Ellis and David Macbride will present music involving winds, voices, percussion, and piano interior. Audio spatialization will be featured and audience members will be an integral part of the music making. Come experience music in a new and exciting way!

Program

Leaves and Cicadas – Lief Ellis

Fighting Futility – Lief Ellis

Selections from Sri Yantra – David Macbride:
Yantra 7 (2017) – Charles Huang, Ling-Fei Kang, Janet Rosen – oboes; Bradley Karas, Shane Rathburn, Perry Roth – soprano saxophones.

Yantra 5 (2017) – Angelica Ansbacher, Saerom Kim, Alex Kollias – bass clarinets; Connor Baba, Krissia Molina, Joseph David Spence – baritone saxophones.

Yantra 9 (2017) – Genevieve Clements, Anna Koogler, Andersen White – voices; Devon Cupo, Christopher Natale, Yudong Wang, Benjamin Yuscavage – percussion.

Lief Ellis has a diverse career that encompasses music composition, electronic performance, collaborator and educator. His works have been performed all over the country as well as having premieres in Iceland and Greece. As a collaborator, he has worked with choreographers, dancers, composers, media artists, actors, and musicians in a variety of roles that include videography, interactive programming, and tech support. He has been awarded prizes for his music composition as well as his teaching. For more information please visit LiefEllis.com.

David Macbride has written numerous works, ranging from solo, chamber and orchestral music to music for film, TV, dance and theatre, with particular emphasis on music for percussion and musical landscapes. His works have been performed extensively in the United States and abroad. Solo CDs are available on Innova Recordings and on Albany Records. As a pianist, Macbride was invited to give a recital tour of Peru by the Instituto Cultural Peruano NorteAmericano, and has performed recitals in Spain and in Mexico. Macbride is Professor of Composition and Music Theory at the Hartt School, University of Hartford. See davidmacbride.com.

Peter Edlund: Names on the Land

ARTIST TALK: Saturday, January 27 | 4 PM

Peter Edlund explores the contradictions in utopian American landscape imagery. Taking aesthetic and visual cues from the work of artists ranging from the Hudson River School to Ansel Adams, Edlund’s paintings employ allegorical imagery to investigate contemporary issues. His landscapes reference the mythic images of Manifest Destiny while shedding light on the “actual social and political reality of racism and genocide in our country.”^{^[1]}

In 2005, Edlund began researching Algonkian languages to understand the meanings of Native American place names in the Northeast, adding the Oneida language indigenous to central New York State in 2013. His research has informed his paintings since. Says Edlund, I am attempting to “address the collective amnesia of American society by using the ‘landscape’ as my means of expression.”^{^[2]} Edlund’s work raises compelling questions. Why is there generally a lack of cultural understanding of the meanings and significance of native words that are the names of rivers, mountains, lakes and towns?

Through appropriating the aesthetics of historic landscape painting, Edlund’s work takes aim directly at colonialism and the forces that created the rifts in understanding and knowledge that we live with today. Edlund uses traditional allegory as a tool to investigate contemporary issues, while simultaneously connecting us with the history we come from.

Picking the most contentious battle states from the 2016 Presidential Election, Edlund investigates contemporary social issues each state faces that are deeply rooted in historical events and practices. He utilizes idyllic landscape painting to create imagery that evokes breathtaking sunsets while embedding deep allegorical meaning. For example,

The Battle of Wisconsin shows a swan and her hatchlings being threatened by a fox, raccoons and an eagle. The imagery “evokes the conflicts of Wisconsin’s history from the displacement and relocation of indigenous peoples to the current conservative agenda of social cutbacks, racial inequalities and voter suppression.”^{^[3]} Edlund crafts his imagery in the Battle States paintings by taking place names from respective states and translating their original Native American meanings into English — Waukesha meaning fox, Waubesa meaning swan, Kanabec meaning snake, and so forth.

Read the article in the Hartford Courant.

Here’s a review of the exhibition in Art New England.

About Peter Edlund
Edlund studied at the School of the Museum of Fine Arts in Boston and teaches at the School of Visual Arts in New York. He has shown nationally and internationally, and has received honors incluing MacDowell Colony Residencies, a Gottlieb Foundation grant, and a Pollack-Krasner Foundation Grant. He has exhibited at Jack Shainman Gallery, among many others. Edlund is originally from West Hartford, Connecticut. His work has been exhibited at Real Art Ways on mulitiple occastions, including a solo exhibition in 2000, Majestic America.

^{^[1]} Artist Statement, Peter Edlund, http://www.peteredlundart.com/artist.html

^{^[2]} Artist Statement, Peter Edlund, http://www.peteredlundart.com/artist.html

^{^[3]} The Battle for Wisconsin artist statement card, Peter Edlund, 2017

Featured image: Weatogue (Hut-Land), 36″x46″, oil on canvas, 2007

Thanks to the College of Engineering, Technology, and Architecture at University of Hartford for assistance in creating laser-cut stencils used to produce several works in the exhibition and public art works in various locations around Hartford.

Ann Z. Leventhal: Among the Survivors

Tuesday, October 10 | 2:30 PM

The author will discuss, sell, and sign copies of Among the Survivors, her new novel.
She will talk about her 56 years in Greater Hartford plus the joys and torments of a writer’s life.

About Ann Z. Leventhal
Ann Z. Leventhal is the author of Life-lines, a novel about a wife who runs away with her husband’s mistress. Her short stories, articles, poems, and reviews have appeared in Vignettes, The Georgia Review, Prairie Schooner, Christopher Street, The New York Times Book Review, and Publishers Weekly.

See Ann’s website.

About Among the Survivors, A Novel
Though twenty-one-year-old Karla Most manages to bag Saxton Perry, a virtual prince thirty years her senior, she has no idea how to live happily ever after, with or without him. Karla cannot get past her anger at having been deceived by her single, now-dead mother, Mutti, who―supposedly a “Holocaust victim,” complete with tattooed numbers―was in fact a German Christian who got into the United States by falsifying her background. So what does that make her daughter? Before she can answer that question, Karla must track down the actual story of her own existence.

Pinned to the Wall: Panel Discussion

Join us for an informative and lively panel discussion, delving into a variety of subjects suggested by the exhibition, Stewart Crone: Pinned to the Wall.

Panelists

Peter Waite: Curator / Moderator
Marty Baron: Art collector
Stewart Crone: Artist
Peter Good: Designer / Artist
Chris Passehl: Designer
Kelly Walters: Assistant Professor of Graphic Design, UConn

Discussion Topics Include

Fine Art vs. Applied Art
Tradition vs. Innovation: can traditional techniques be used in innovative ways?
Where are lines drawn between commercial print and design and fine art?
Who is the client for fine art?
How does print democratize art? Does print devalue art?

About the Panelists

Peter Waite is the curator of the show. Peter is an accomplished painter whose work has been shown nationally and is included in the collections of the Benton Museum, The Wadsworth Antheneum, NASA, and The Metropolitan Museum of Art, to name a few. http://www.peterwaite.com/

Marty Baron is a financial planner and art collector living in West Hartford. He and his wife Nancy participated in Artspace New Haven’s “House Salon” tour in September of 2016, where their collection was on display and guests were given a tour by painter Deborah Dancy.

Stewart Crone is the artist of the show, Pinned to the Wall. He has a wealth of knowledge and insight into the topics surrounding his work.

Peter Good is a designer and artist, and co-founder of Cummings-Good. His work is included in the collections of the Cooper-Hewitt National Design Museum, NY; the Library of Congress, Washington, DC; The Museum fur Kunst und Gerwerbe, Hamburg; Neue Sammlung MuseumMunich; and the Museum of Modern Art, Toyama, Japan. https://www.cummings-good.com/

Chris Passehl founded his design firm in 1996. His clients include the YMCA of Greater Hartford, The Lewitt Collection, and Real Art Ways, among many others. Chris has taught at the University of New Haven, Eastern Connecticut State University, and UConn as well as advised student interns from Yale, RISD, and others. http://www.passehldesign.com/

Kelly Walters is an Assistant Professor of Graphic Design at the University of Connecticut. She is a multimedia designer and curator. Her artistic practice investigates the intersection of black cultural identity, representation, and language in mainstream media. She is also founder of Bright Polka Dot (an independent design studio) focusing on print, digital, pattern and textile design. Kelly has worked as a designer for SFMOMA, the RISD Museum, and Blue State Digital.

Hong Hong: All the Light in a Vivid Dream

Real Art Ways presents Hong Hong’s (b. 1989, Hefei, China) first solo exhibition in Hartford, Connecticut, All the Light in a Vivid Dream. The exhibition features a series of large-scale, hand-poured paperworks recently completed during Hong’s artist residency at the Morgan Art of Papermaking Conservatory & Educational Foundation in Cleveland, Ohio. The works in this exhibition are a part of Hong’s multidisciplinary investigation of the temporal parameters of human perception, and its effects on social, cultural, and environmental systems.

Hong has traveled to various sites across the United States to make paper since 2014. During these outdoor explorations, labor has given form and structure to largely intangible events, such as weather and haptic movements. Through the engagement of repetitive processes, Hong sought to punctuate, and to provide cadence to, her experience of existence as one continuous, disorientating interval. Material became an imprint of its own metamorphosis, and a chronology of time passed. In this context, each work is a photographic still of unfolding, momentary progressions, both of the body and of the landscape the body is situated within.

The imagery in All the Light in a Vivid Dream evokes vast stretches of sea and sky, as well as the horizon line where they meet. In the artist’s words, “The horizon is an interesting place. Where does the horizon exist? Does land ever touch sky? Maybe it only does in our dreams. One can argue that the horizon is simultaneously present and absent: it is a constant, and yet, with every passing moment, it changes. I am interested in the natural expanses that we yearn for, as well as the human desire to migrate to them, map them, and with our best efforts, record them. Through land, through the sea, through sky, and through the stars, we seek and find our own coordinates.”

Ultimately, the works on view in All the Light in a Vivid Dream attempt to harness the momentary, such as the passing of a single hour, to allude to the eternal, like the dissolve of dusk into night.

Read the article in the Hartford Courant.

About the Artist
Born in Hefei, China, Hong Hong is an interdisciplinary artist whose practice spans papermaking, sculpture, installation, and performance. Hong earned her MFA in 2014 from the University of Georgia and her BFA in 2011 from the State University of New York at Potsdam. Her work has been exhibited across the United States in shows at the Newhouse Center for Contemporary Art, Pittsburgh Center for the Arts, Madison Museum of Fine Art, New Mexico History Museum, and Georgia Museum of Art.

Hong is the recipient of grants and commissions from the Foundation for Contemporary Arts, Center for the Arts at Wesleyan University, the Edward C. & Ann T. Roberts Foundation, The Greater Hartford Arts Council, and Artspace New Haven. In 2017, she will complete artist residencies at PLAYA, Morgan Conservatory, and I-Park.

Hong currently lives in Connecticut, where you can find her making paper in empty parking lots and working on a yearlong, site-specific project called Everlasting Ephemera.

Image: All the Light in a Vivid Dream, hand-poured kozo, 2017

Stewart Crone: Pinned to the Wall

Pinned to the Wall: Panel Discussion
Thursday, September 14 | 6:30-8 PM
More information here.

Curated by Peter Waite

Stewart Crone has been collecting paper – and experimenting with text and images – inspired by commercial printing, since he began working in the trade in 1971. The effort has been motivated by a desire to escape the daily challenge of catching errors and instead to celebrate the occasions of error, chance, disorder and misbehavior of ink and paper.

Not all error is interesting of course – we still curse the inkjet machine when the cartridges go empty, and the machine makers for how expensive their little plastic containers have become. Larger paper – bigger error – seems to have a nice way of conferring a higher purpose to these mistakes and disorder. Crone’s own experiments have been directly influenced by this celebration of error – arguments shaped by a desire to keep chance, uncertainty and displacement included in the resulting works.

The flat, razor thin film of ink that lies on the surface of a piece of paper contains a mystery of order and structure that holds out promise of perfect organization, or relative chaos. Thus the expression ‘not worth the paper it’s printed on’ encapsulates the challenge for a printed sheet without error, and the contrary decisions offered in this exhibition stand as examples of paper that remain filled with the awareness of imperfection.

Read the article in the Hartford Courant.

About the Artist
Stewart Crone has over 40 years of printing experience: electronic pre-press, commercial lithography, fine arts editions and reproductions, flatbed press operations, map production, flexography, silkscreen. After participating in the Envirovision show for the NY State Fair in 1972, and in The First All Xerox Show and Language and Photography at La Mamelle in San Francisco in 1975 and 1976 respectively, he turned to the more prosaic tasks of simply making a living and pursuing other interests in film and politics. He has continued to work on paper both formally and informally. Pinned to the Wall is the first ever show of his interest in both collecting and making works on paper.

Crone holds an M.A. in Education and an M.A. in Geography, both from the University of Connecticut and a B.A. in Political Economy of Industrial Society from the University of California, Berkeley.

RAW JAZZ: Tyshawn Sorey Septet

Real Art Ways presents RAW JAZZ – A series of four free concerts in June, July and September.

Major support for RAW JAZZ comes from the Evelyn W. Preston Memorial Trust Fund, Bank of America, N.A., Trustee.

“He is the antithesis of the showy, extroverted drummer, as for Sorey the stress is always on the beauty of the collective music made by his groups rather than the chops of the individual players.” – Troy Dostert, The Free Jazz Collective

Tyshawn Sorey is a composer, performer, educator, and scholar working across an extensive range of musical idioms. A 2015 Doris Duke Impact Award recipient, Sorey performs percussion, trombone and piano nationally and internationally with his own ensembles, and artists including Muhal Richard Abrams, Steve Coleman, John Zorn, Roscoe Mitchell, Misha Mengelberg, Vijay Iyer, Wadada Leo Smith, Anthony Braxton, Steve Lehman, Tim Berne, and Myra Melford.

The International Contemporary Ensemble, Spektral Quartet, and TAK Ensemble have performed his compositions, which integrate African diasporic, Western classical, and avant-garde musical forms. In 2012, he was selected as an Other Minds Composer.

As a leader, Sorey has released five critically acclaimed recordings – most recently The Inner Spectrum of Variables (Pi, 2016), which features both classical/contemporary composition and conducted improvisation.

He has taught lectures and courses on composition and improvisation at the Banff Centre, International Realtime Music Symposium (Norway), Hochschule für Musik Köln, Musikhochschule Nürnberg, Rhythmic Conservatory (Denmark), Birmingham Conservatory of Music, Conservatorium van Amsterdam, Cité de la Musique (Paris), and Vallekilde Højskole (Denmark).

Sorey’s works have premiered at the Issue Project Room, Walt Disney Hall, the Bimhuis, Mostly Mozart Festival at Lincoln Center, the Village Vanguard, the Jazz Gallery, and Roulette.

He received a B.M. in Jazz and Performance Studies from William Paterson University and an M.A. in Music Composition from Wesleyan University. Tyshawn will begin his tenure at Wesleyan University as a John Spencer Camp Professor of Music in Fall 2017.

The septet, called Koan II, will play compositions by Sorey that are inspired by concepts derived from Zen Buddhist practices and nearly imperceptible sound worlds. The ensemble will explore low-range instruments with their characteristic slow sonic waves.

Joining Sorey are Ben Gerstein, trombone; Stephen Haynes, trumpet; Todd Neufeld, guitar; and three basses: Mark Helias, Joe Morris and Carl Testa.

“…he tends to move through his music with a flowing sense of ritual and constant alertness. It involves a lot of silence. It also involves a lot of attack, but in very short and concentrated doses, sometimes as short as one great, purposeful smack on a drum head or a quick crescendo of mallets on cymbals that floods the club’s entire atmosphere.” – Ben Ratliff, New York Times

RAW JAZZ: Mark Dresser 7

Real Art Ways presents RAW JAZZ – A series of four free concerts in June, July and September.

Major support for RAW JAZZ comes from the Evelyn W. Preston Memorial Trust Fund, Bank of America, N.A., Trustee.

Mark Dresser makes music in a vast variety of settings and contexts, but the prolific bassist always seeks to create space for the unpredictable play between form and freedom. On his 2016 album “Sedimental You,” he assembled an astonishingly creative cast that embraced the intuitive and emotionally charged nature of his improvisational imperative. He will bring this same ensemble to RAW on Saturday, September 9 to perform selections from the album.

Riveting and playful, Dresser’s compositions emerge out of an ever-shifting matrix of specific musical personalities and the often dismaying swirl of current events.

The Mark Dresser 7:
Nicole Mitchell-flutes
David Morales Boroff-violin
Marty Ehrlich-clarinets
Michael Dessen -trombone
Joshua White-piano
Jim Black – drums
Mark Dresser-bass & compositions

A prolific composer, Dresser’s developed many pieces for the Arcado String Trio, and Tambastics, while receiving numerous commissions and recording his original scores for several classic silent films, including The Cabinet of Dr. Caligari. He moved back to Southern California in 2004 to take a position as Professor of Music at UC San Diego. While he’s maintained creative relationships with many of his New York associates, the move west coincided with his renewed focus on solo bass performance. As well Dresser in 2013 recorded his first quintet CD in nearly two decades to international acclaim Nourishments (2013). (Clean Feed) marks his re-immersion as a bandleader.

Dresser tours and records with celebrated collective Trio M with pianist Myra Melford and drummer Matt Wilson. He performs solo bass recitals, and with his sonically inspired new-music trio featuring flutist Matthias Ziegler and Denman Maroney on hyperpiano. And he maintains a East and West Coast quintet dedicated to the Nourishments repertoire. His most recent project, a septet featuring Nicole Mitchell, Marty Ehrlich, Michael Dessen, Joshua White, David Morales Boroff, and Kjell Nordeson perform and record his new compositions to be released on Clean Feed.

Born in Los Angeles in 1952, Dresser has been a creative force since he first started gaining attention in the early ’70s with Stanley Crouch’s Black Music Infinity, a free jazz ensemble that included Bobby Bradford, Arthur Blythe, James Newton, and David Murray (at the same time he was performing with the San Diego Symphony). He earned a BA and MA from the UC San Diego studying contrabass with maestro Bertram Turetzky. Recruited by Anthony Braxton, Dresser made the move to New York in 1986 and spent a decade touring and recording extensively with the reed visionary’s celebrated quartet with pianist Marilyn Crispell and drummer Gerry Hemingway. At the same time he became a ubiquitous force on the Downtown scene, working widely with masters such as Ray Anderson, Tim Berne, Anthony Davis, and John Zorn.

Dresser received both B.A. and M.A. degrees from the University of California, San Diego where he studied with the seminal contrabass soloist, Professor Bertram Turetzky. In 1983, he received a Fulbright Fellowship to study in Italy with Maestro Franco Petracchi. He has been awarded two New York Foundation for the Arts grants, Meet the Composer commissions, and fellowships to the MacDowell Colony, Civitella Ranieri, Bellagio, and Akrai. He is on the board of the International Society of Bassists, the International Society of Improvised Music, and the advisory board of the Deep Listening Institute, and the new music ensemble, NOISE. He has been a lecturer at Princeton University, faculty at the New School University, and Hampshire College. In fall of 2004, Dresser joined the faculty of University of California, San Diego.

RAW JAZZ: Tatsuya Nakatani Gong Orchestra

Real Art Ways presents RAW JAZZ – A series of four free concerts in June, July and September.

Major support for RAW JAZZ comes from the Evelyn W. Preston Memorial Trust Fund, Bank of America, N.A., Trustee.

“The fluid body of sound grew and waned and then grew again as some players switched from handmade bows to mallets and back again. The music was meditative, the gong vibrations washing over the audience.” – Cisco Bradley, Jazz Right Now

Nakatani Gong Orchestra (NGO), is a contemporary live Sound Art project that tours throughout North and Central America.

NGO is a continuous, growing community engagement project; and the only bowing Gong orchestra in existence in the world today. The rich harmonies produced from multiple layers of bowed gongs are transformative, engaging and inspiring for both players and audiences.

The gong bows and surrounding instrumentation equipment are handmade by Nakatani Kobo.

In addition to Mr. Nakatani, this performance features 14 players from the greater Hartford community.

Nakatani gives a specialized training workshop to gong players in preparation for the performance. Players will also experience Nakatani’s own unique point of view regarding Gong techniques, and will experience undiscovered dimensions while immersed in the vibrations and sounds during a training workshop. Nakatani is the composer and conductor for the evening of the performance.

Nakatani began germinating ideas for NGO in early 2002, and finally took the project on the road in April 2011. Since then he has performed over 100 concerts with NGO internationally. Notable venues include John F. Kennedy Center for the Performing Arts in Washington D.C., MOCA Cleveland, OH, Tigertail Productions presented at Miami Dade County Auditorium in FL, Bemis Contemporary Art Center in Omaha NE, Columbia Museum of Art in SC, The Issue Project Room in New York City, and the Crystal Bridges Museum of American Art in Arkansas.

NGO has been a visiting artist conducting workshops at a number of universities; including the University of Illinois, Smith College, Ohio State University and Wesleyan.

Taiga Records (Minneapolis, MN) released an LP entitled “Nakatani Gong Orchestra” in 2012.

Audience members have described a NGO performance as entirely unlike anything they have ever experienced before, often relating feelings of cleansing or a sort of purification after the event.

Laureates of Connecticut Poetry Reading

Join us as Poets Laureate from around the state of Connecticut and Rennie McQuilkin, State Poet Laureate, read their work, talk about the world of poetry and share insights. A focus will be the new book put out by the Connecticut Coalition of Poets Laureate.

Signed copies of the book, Laureates of Connecticut Anthology of Contemporary Poetry (edited by Ginny Lowe Connors and Charles Margolis), will be available for a donation.

Participating Poets

Rennie McQuilkin, Poet Laureate of Connecticut and Poet Laureate of Simsbury

Ginny Lowe Connors, 2013-2015 Poet Laureate Emeritus of West Hartford and co-editor of the Laureates of Connecticut Anthology of Contemporary Poetry

Susan Allison

Christine Beck, current Poet Laureate of West Hartford

Hugo DeSarro

Tarn Granucci, Poet Laureate of Wallingford

Joan Hofman, Poet Laureate of Canton

Maria Sassi

Paolo Cirio: Street Ghosts

The Public Art component of Nothing to Hide? Art, Surveillance & Privacy has been created in downtown Hartford.

Artist Paolo Cirio and a team from Real Art Ways selected seven sites around downtown Hartford where unsuspecting pedestrians had been caught in Google Street View photos. On Saturday, May 13, the RAW team and Mr. Cirio visited the seven downtown sites to affix life-size cutouts of the anonymous people to buildings at the exact locations where the Street View photos were taken. Like other forms of street art, the Street Ghosts may deteriorate or disappear over time.

The locations are, top to bottom:
1. Starbucks at City Place, Trumbull Street
2. Society Room, Pratt Street
3. Hartford Prints!, Pratt Street (now missing)
4. 81 Asylum Street (now missing)
5, 777 Main Street (now missing)
6. EBK Gallery, Haynes Street
7. Bus Shelter near TheaterWorks, Pearl Street

Cirio has produced versions of this project in more than two dozen cities around the world, including London (see the photo below), Paris, New York City, Berlin, Montreal (see the video above), Sydney and Hong Kong. Cirio says, “It’s a temporary thing. That’s why they are ghosts. They appear and disappear and may come back any time.”

Member Appreciation Event: Reaction Bubble Dance Performance and Panel Discussion

What does the physical distance between us mean?

Reaction Bubble is an installation that includes custom electronics, video, ceramic sculpture, and choreography, and this presentation is the culmination of a four-year collaboration. The artists who worked together to create Reaction Bubble are the team of LoVid (Tali Hinkis and Kyle Lapidus), choreographer Deborah Goffe and ceramicist Matthew Towers. Real Art Ways introduced the artists to each other in 2012.

Dance Performance
Dancers interact with the Reaction Bubble installation and each other as they explore the impact and significance of Public Space, Social Space, Personal Space and Intimate Space.

The performance is choreographed and performed by Deborah Goffe in collaboration with Safi Harriott, Rosanna Karabetsos, Kate Seethaler and Arien Wilkerson. Sound design by Deborah Goffe in collaboration with Arien Wilkerson, and with music by Kode9, Murcof, Julia Holter and Holly Herndon.

Panel Discussion
After the Dance Performance, LoVid (Tali Hinkis and Kyle Lapidus), Deborah Goffe and Matthew Towers will participate in a panel discussion moderated by Real Art Ways Visual Arts Coordinator, Neil Daigle-Orians and take questions from members.

Free for Members and their Guests
Please RSVP to Amanda Baker at this link with the number of people attending.

The project received major support from The Robert Rauschenberg Foundation. Important funders include the Edward C. and Ann T. Roberts Foundation, the J. Walton Bissell Foundation and the National Endowment for the Arts.

About the Choreographic Team

Deborah Goffe is a performer, choreographer, dance educator, performance curator, and intermittent video artist. She is founder of Scapegoat Garden, a Connecticut-based collaborative dance theater, driven to create compelling, interdisciplinary performance that goes in through the nose, eyes, skin, ears and mouth to stir those who witness or participate. Scapegoat Garden strives to forge relationships between artists and communities, helping people see, create and contribute to a greater vision of ourselves, each other, and the places we call home. Deborah holds a BFA in Modern Dance from the University of the Arts School of Dance in Philadelphia, Pennsylvania and an MFA in Dance Performance and Choreography from California Institute of the Arts. Since Scapegoat Garden’s founding, Deborah has been devoted to the revitalization of local dance eco-systems and the role of performance curation in such processes. To this end, she recently earned a Professional Certificate from Wesleyan University’s Institute for Curatorial Practice in Performance. She has been honored by the Connecticut Dance Alliance for Distinguished Achievement in Dance, and has received Artists Fellowship Grants from the Connecticut Office of the Arts, the Greater Hartford Arts Council, and the Surdna Foundation. Deborah has participated as New England Emerging Choreographer at the Bates Dance Festival in Lewiston, Maine and has served as a yearlong Artist-in-Residence at Billings Forge Community Works. As an educator, Deborah has taught dance and related courses in several institutions, including California Institute of the Arts, Wesleyan University, CulturArte—a youth arts summer residency program in Cape Verde, Africa, and currently serves as Assistant Professor of Modern/Contemporary Dance at Hampshire College in Amherst, Massachusetts where she is excited to expand her experience of dance and place in a new context.

Safi Harriott specializes in dance education and cultural studies. She combines an awareness of her own movement through the world with an evolving understanding of systems of power and their impact on individual bodies. She has served as Visiting Lecturer in Dance at the Excelsior Community College in Kingston, Jamaica. She has also served as adjunct faculty and External Examiner (Repertory, Intermediate Modern Technique, Improvisation) for the Edna Manley College (EMCVPA) School of Dance. Harriott has facilitated workshops and presented choreography for the Kingston on the Edge Urban Arts Festival, the National Gallery of Jamaica, and the Jamaica Dance Umbrella (JDU) in addition to serving as primary coordinator and assistant to the Curator for the JDU and Junior JDU. Committed to international exchange, she has performed and co- taught in Kingston and New York with collaborators Zita Nyarady (Toronto, Canada) and Nancy Hughes (Buffalo NY, USA). More recently, she has served as Visiting Dance Faculty at the Cambridge School of Weston. In 2014 she received an MFA in Choreography and Performance from Smith College. Harriott has also trained at the Laban Bartenieff Institute of Movement Studies, and is currently an MA candidate in Socio-cultural Anthropology at Columbia University.

Rosanna Krabetsos is a Hartford-based dancer who has studied and performed a wide range of dance forms, with primary emphasis on contemporary, hip-hop and commercial dance. A graduate of the Greater Hartford Academy of the Arts, she is honored to have worked with artists like Kim Stroud (formerly of the Martha Graham Dance Company); Jennifer Weber (DECAdance); Kate St. Amand and Lynn Peterson (SYREN Modern Dance); Caroline Fermin (Galim Dance); Clyde Evans (Rennie Harris Pure Movement), Deborah Goffe and Leslie Frye Maietta (Scapegoat Garden). During high school, her summers were spent at Earl Mosley’s Institute of the Arts where she worked with Fredrick Earl Mosley, Nathan Trice, Kevin Wynn, Crystal Frazier and Rennie Harris (Rennie Harris Pure Movement), to name a few. Rosanna is currently signed to DFX Entertainment, which performs at the Mohegan Sun, Foxwoods Casinos, and other major venues. She also performs on the dance teams supporting the New England Black Wolves and the Connecticut Sun WNBA team. As an artist, Rosanna focuses locally, and is driven by a love of collaboration and the belief that dance can be a container for all of life. She is a founding member and collaborator with TNMOT AZTRO, having performed in events throughout Connecticut, including the 5×5 Dance Festival at the University of Saint Joseph and an evening length performance at Real Art Ways. Rosanna is also a lead choreographer and puppeteer for Anne Cubberly’s Nightfall, an annual interdisciplinary site-specific performance event in Hartford, and serves as the Creative Director of Hartford’s first and only beauty collective, Tainted Inc.

Based in Northampton, Massachusetts, Kate Seethaler currently teaches dance and movement at Springfield College and the School for Contemporary Dance and Thought. She rehearses with choreographers Katie Martin and Whitney Wilson. She also creates her own choreographic work under the newly formed skeleton collaborative, which will launch in the next year through her participation as Artist in Residence at the School for Contemporary Dance in Northampton. Kate earned her MFA in Dance from Smith College in May 2016. At Smith, she focused her interests on performance and compositional improvisation, studying with Angie Hauser, Chris Aiken, and Jennifer Nugent amongst others. Kate has most recently performed in the work of Stephanie Turner, Jennifer Nugent, Stephanie Maher, Joy Davis, and Emily Lukasewski. In 2015, she attended Bates Dance Festival as a collaborator/performer in the work of Kellie Lynch, a BDF Emerging Choreographer. Kate received her full mat and equipment Pilates certification in 2012 at Aldrich Pilates in New Haven, CT. The efficiency and clarity of the body that Pilates training provides continually informs her approach to movement generation. Kate’s choreographic work has been performed at Elm City Dance Festival, the International Festival of Arts and Ideas, Smith College, Springfield College, The Taft School and The Ethel Walker School amongst other venues. Her most recent choreographic interests lie in the dichotomy of exploring a deeply personal and fiercely internal physiological landscape and dismantling the external hierarchy between audience and performer(s). She earned a BA in Dance, with minors in theater and philosophy, from Springfield College in 2008.

Arien Wilkerson is a choreographer, dancer, and video artist. The Hartford-native began his dance training under the tutelage of Jolet Creary, and has been a student at the Greater Hartford Academy of the Arts, The Artists Collective, Earl Mosley Institute of the Arts, and at the Batsheva Dance Company’s Gaga Intensive in Tel Aviv. In 2008, he was a scholarship recipient for travel to Cape Verde, Africa to participate in CulturArte, a youth arts residency program where he studied with Mano Preto (Artistic Director of Raiz di Polon) and Deborah Goffe (Artistic Director of scapegoat Garden). As a high school senior in 2009, David Dorfman and Nicole Stanton selected his work for inclusion in Wesleyan University’s Dance Masters programming, recognizing his artistic potential as a young choreographer among more established New England choreographers. Since then, he has set choreographic works on EQuilibrium Dance Theater, CONNetic Dance collaborations, and Ruth Lewis Dimensional Dance. He has also performed as a special guest in Doug Elkin’s in Fraulein Maria at the Hartford stage, and choreographed for Anne Cubberly’s Nightfall. In his role as Artistic Director of TNMOT AZTRO, Arien has been commissioned by Hartford’s Town & County Club and Open Studio Hartford to develop iterations of his BLACK BOY JUNGLE and Punching Bag. As an Artist in Residence at The Garden Center for Contemporary Dance (2013-2014), Arien developed three iterations of his work, The Projector Series, and while there, served as co-facilitator for the Invisible City Project Cooperative, an initiative designed to share resources among Hartford-based dance artists. The Projector Series 1.4, the fourth and final installment of the project, was presented to 3 sold-out audiences at Real Art Ways in 2016.

Reaction Bubble Dance Performances

What does the physical distance between us mean?

Reaction Bubble is an installation that includes custom electronics, video, ceramic sculpture, and choreography, and this presentation is the culmination of a four-year collaboration. The artists who worked together to create Reaction Bubble are the team of LoVid (Tali Hinkis and Kyle Lapidus), choreographer Deborah Goffe, and ceramicist Matthew Towers. Real Art Ways introduced the artists to each other in 2012.

In the Performance component of the exhibition, five dancers interact with the Reaction Bubble installation and each other as they explore the impact and significance of Public Space, Social Space, Personal Space and Intimate Space.

Choreographed and performed by Deborah Goffe in collaboration with Safi Harriott, Rosanna Karabetsos, Kate Seethaler and Arien Wilkerson. Sound design by Deborah Goffe in collaboration with Arien Wilkerson, and with music by Kode9, Murcof, Julia Holter and Holly Herndon.

Admission is Free.

The project received major support from The Robert Rauschenberg Foundation. Important funders include the Edward C. and Ann T. Roberts Foundation, the J. Walton Bissell Foundation and the National Endowment for the Arts.

About the Choreographic Team

Deborah Goffe is a performer, choreographer, dance educator, performance curator, and intermittent video artist. She is founder of Scapegoat Garden, a Connecticut-based collaborative dance theater, driven to create compelling, interdisciplinary performance that goes in through the nose, eyes, skin, ears and mouth to stir those who witness or participate. Scapegoat Garden strives to forge relationships between artists and communities, helping people see, create and contribute to a greater vision of ourselves, each other, and the places we call home. Deborah holds a BFA in Modern Dance from the University of the Arts School of Dance in Philadelphia, Pennsylvania and an MFA in Dance Performance and Choreography from California Institute of the Arts. Since Scapegoat Garden’s founding, Deborah has been devoted to the revitalization of local dance eco-systems and the role of performance curation in such processes. To this end, she recently earned a Professional Certificate from Wesleyan University’s Institute for Curatorial Practice in Performance. She has been honored by the Connecticut Dance Alliance for Distinguished Achievement in Dance, and has received Artists Fellowship Grants from the Connecticut Office of the Arts, the Greater Hartford Arts Council, and the Surdna Foundation. Deborah has participated as New England Emerging Choreographer at the Bates Dance Festival in Lewiston, Maine and has served as a yearlong Artist-in-Residence at Billings Forge Community Works. As an educator, Deborah has taught dance and related courses in several institutions, including California Institute of the Arts, Wesleyan University, CulturArte—a youth arts summer residency program in Cape Verde, Africa, and currently serves as Assistant Professor of Modern/Contemporary Dance at Hampshire College in Amherst, Massachusetts where she is excited to expand her experience of dance and place in a new context.

Safi Harriott specializes in dance education and cultural studies. She combines an awareness of her own movement through the world with an evolving understanding of systems of power and their impact on individual bodies. She has served as Visiting Lecturer in Dance at the Excelsior Community College in Kingston, Jamaica. She has also served as adjunct faculty and External Examiner (Repertory, Intermediate Modern Technique, Improvisation) for the Edna Manley College (EMCVPA) School of Dance. Harriott has facilitated workshops and presented choreography for the Kingston on the Edge Urban Arts Festival, the National Gallery of Jamaica, and the Jamaica Dance Umbrella (JDU) in addition to serving as primary coordinator and assistant to the Curator for the JDU and Junior JDU. Committed to international exchange, she has performed and co- taught in Kingston and New York with collaborators Zita Nyarady (Toronto, Canada) and Nancy Hughes (Buffalo NY, USA). More recently, she has served as Visiting Dance Faculty at the Cambridge School of Weston. In 2014 she received an MFA in Choreography and Performance from Smith College. Harriott has also trained at the Laban Bartenieff Institute of Movement Studies, and is currently an MA candidate in Socio-cultural Anthropology at Columbia University.

Rosanna Krabetsos is a Hartford-based dancer who has studied and performed a wide range of dance forms, with primary emphasis on contemporary, hip-hop and commercial dance. A graduate of the Greater Hartford Academy of the Arts, she is honored to have worked with artists like Kim Stroud (formerly of the Martha Graham Dance Company); Jennifer Weber (DECAdance); Kate St. Amand and Lynn Peterson (SYREN Modern Dance); Caroline Fermin (Galim Dance); Clyde Evans (Rennie Harris Pure Movement), Deborah Goffe and Leslie Frye Maietta (Scapegoat Garden). During high school, her summers were spent at Earl Mosley’s Institute of the Arts where she worked with Fredrick Earl Mosley, Nathan Trice, Kevin Wynn, Crystal Frazier and Rennie Harris (Rennie Harris Pure Movement), to name a few. Rosanna is currently signed to DFX Entertainment, which performs at the Mohegan Sun, Foxwoods Casinos, and other major venues. She also performs on the dance teams supporting the New England Black Wolves and the Connecticut Sun WNBA team. As an artist, Rosanna focuses locally, and is driven by a love of collaboration and the belief that dance can be a container for all of life. She is a founding member and collaborator with TNMOT AZTRO, having performed in events throughout Connecticut, including the 5×5 Dance Festival at the University of Saint Joseph and an evening length performance at Real Art Ways. Rosanna is also a lead choreographer and puppeteer for Anne Cubberly’s Nightfall, an annual interdisciplinary site-specific performance event in Hartford, and serves as the Creative Director of Hartford’s first and only beauty collective, Tainted Inc.

Based in Northampton, Massachusetts, Kate Seethaler currently teaches dance and movement at Springfield College and the School for Contemporary Dance and Thought. She rehearses with choreographers Katie Martin and Whitney Wilson. She also creates her own choreographic work under the newly formed skeleton collaborative, which will launch in the next year through her participation as Artist in Residence at the School for Contemporary Dance in Northampton. Kate earned her MFA in Dance from Smith College in May 2016. At Smith, she focused her interests on performance and compositional improvisation, studying with Angie Hauser, Chris Aiken, and Jennifer Nugent amongst others. Kate has most recently performed in the work of Stephanie Turner, Jennifer Nugent, Stephanie Maher, Joy Davis, and Emily Lukasewski. In 2015, she attended Bates Dance Festival as a collaborator/performer in the work of Kellie Lynch, a BDF Emerging Choreographer. Kate received her full mat and equipment Pilates certification in 2012 at Aldrich Pilates in New Haven, CT. The efficiency and clarity of the body that Pilates training provides continually informs her approach to movement generation. Kate’s choreographic work has been performed at Elm City Dance Festival, the International Festival of Arts and Ideas, Smith College, Springfield College, The Taft School and The Ethel Walker School amongst other venues. Her most recent choreographic interests lie in the dichotomy of exploring a deeply personal and fiercely internal physiological landscape and dismantling the external hierarchy between audience and performer(s). She earned a BA in Dance, with minors in theater and philosophy, from Springfield College in 2008.

Arien Wilkerson is a choreographer, dancer, and video artist. The Hartford-native began his dance training under the tutelage of Jolet Creary, and has been a student at the Greater Hartford Academy of the Arts, The Artists Collective, Earl Mosley Institute of the Arts, and at the Batsheva Dance Company’s Gaga Intensive in Tel Aviv. In 2008, he was a scholarship recipient for travel to Cape Verde, Africa to participate in CulturArte, a youth arts residency program where he studied with Mano Preto (Artistic Director of Raiz di Polon) and Deborah Goffe (Artistic Director of scapegoat Garden). As a high school senior in 2009, David Dorfman and Nicole Stanton selected his work for inclusion in Wesleyan University’s Dance Masters programming, recognizing his artistic potential as a young choreographer among more established New England choreographers. Since then, he has set choreographic works on EQuilibrium Dance Theater, CONNetic Dance collaborations, and Ruth Lewis Dimensional Dance. He has also performed as a special guest in Doug Elkin’s in Fraulein Maria at the Hartford stage, and choreographed for Anne Cubberly’s Nightfall. In his role as Artistic Director of TNMOT AZTRO, Arien has been commissioned by Hartford’s Town & County Club and Open Studio Hartford to develop iterations of his BLACK BOY JUNGLE and Punching Bag. As an Artist in Residence at The Garden Center for Contemporary Dance (2013-2014), Arien developed three iterations of his work, The Projector Series, and while there, served as co-facilitator for the Invisible City Project Cooperative, an initiative designed to share resources among Hartford-based dance artists. The Projector Series 1.4, the fourth and final installment of the project, was presented to 3 sold-out audiences at Real Art Ways in 2016.

Reaction Bubble Reception

What does the physical distance between us mean?

Created by LoVid, Deborah Goffe and Matt Towers; Tyler Henry – Technical Director. Commissioned and produced by Real Art Ways.

The presentation of Reaction Bubble is the culmination of the artists’ four-year collaboration, inspired by the anthropological field of Proxemics (the study of the impact and significance of physical distances on human interaction). The installation invites audience involvement, forming an immersive installation and performance experience.

Reaction Bubble received major support from The Robert Rauschenberg Foundation. Important funders include the Edward C. and Ann T. Roberts Foundation, the J. Walton Bissell Foundation and the National Endowment for the Arts.

Real Art Ways Member Appreciation Event
4:00-5:00 PM
Meet the artists with other Real Art Ways supporters; learn about the conceptual development and the collaborative process.

Public Reception
5:00-6:30 PM
Dance Performance: 5:30 PM
Choreographed and performed by Deborah Goffe in collaboration with
Safi Harriott, Rosanna Karabetsos, Kate Seethaler and Arien Wilkerson.

Nothing to Hide? Art, Surveillance, and Privacy

The Exhibition was featured in a discussion of surveillance on Where We Live on WNPR on Tuesday, May 23. The show was titled, Somebody’s Watching Me: Big Brother In The Modern Age. Co-curator Ed Shanken and RAW’s Will K. Wilkins participated in the discussion. Visit WNPR’s page about the show and listen to the recording of the broadcast.

Nothing to Hide? Art, Surveillance, and Privacy, is an exhibition of visual art, public art, film, performance, interactivity, public discussions, and spoken word, exploring the prevalence of surveillance and its impact on the way we lead our lives. The exhibition will be on view through June 19, 2017.

The exhibition is co-curated by Edward Shanken and Jessica Hodin.

Mass government surveillance and corporate data collection have become the new normal. We hear that individual privacy must be sacrificed in the interests of national security and that “If you’ve got nothing to hide, you’ve got nothing to fear.” But has increased surveillance made us safer, or are we, in fact, more vulnerable in other ways? Is privacy only about hiding bad things? Might privacy be a matter of principle: that personal information isn’t anyone else’s business, that citizens have the right “to be let alone,” as the U.S. Supreme Court declared more than a century ago?

Nothing to Hide? Art, Surveillance, and Privacy examines these issues, revealing many shades of grey. The artworks in the exhibition offer probing insights into our complicity in surrendering privacy, how surveillance culture impacts our daily lives, the banality and uncanniness that it can generate, and forms of resistance that range from invisibility to hyper-publicity.

The exhibition features the U.S. premiers of Julian Oliver’s Stealth Cell Tower, an antagonistic GSM base station in the form of an innocuous office printer and Michelle Teran’s Folgen, which tracks the locations and identities of YouTube video-makers. Eric Corriel’s Targeted addresses discriminatory surveillance practices, while Eva and Franco Mattes’ The Others consists of a slideshow of 10,000 photos appropriated from random personal computers, without their owners’ knowledge.

Paolo Cirio will lead a public art project, Street Ghosts, in downtown Hartford. Working with local residents, Cirio will appropriate images of people “captured” in Google Maps Street View and physically post life-size posters of these images at the exact sites of the Google Maps locations in the city.

The star-studded line-up of international artists includes Aram Bartholl, Hasan Elahi, Lynn Hershman Leeson, Rafael Lozano-Hemmer, Jonas Lund, Trevor Paglen, Ryder Ripps, Bjoern Schuelke and Abram Stern (aphid).

Reaction Bubble – a collaborative project that includes custom electronics, sound and video, ceramic sculpture, and choreography, and that was commissioned and produced by Real Art Ways, is also included in Nothing to Hide?.

Read the article about “Nothing to Hide? Art, Surveillance and Privacy” in the Hartford Courant.

About the Curators

Edward A. Shanken is Associate Professor and Director of Digital Arts and New Media at University of California, Santa Cruz. He lectures and publishes widely on surveillance art, cybernetics and systems theory, and the relationship between new media and contemporary art. His books include Systems (Whitechapel/MIT, 2015), Art and Electronic Media (Phaidon, 2009), and Telematic Embrace: Visionary Theories of Art, Technology, and Consciousness (U Cal Press, 2003). http://artexetra.com/

Jessica Hodin received her B.A. from Dartmouth College (New Hampshire) with a major in Art History and holds a Master’s Degree in Art Business from the Sotheby’s Institute of Art (New York). She is currently a fellow at the Art and Law Program. Jessica manages Art Basel’s Crowdfunding Initiative, a creative partnership with Kickstarter aimed to catalyze support for nonprofit arts organizations and institutions around the world. From 2013-2014, she was the Curator and Director of the Bleecker Street Arts Club in Manhattan’s West Village. She continues to advise clients with respect to art acquisitions and pursue independent curatorial projects.

Featured image: Targeted – Eric Corriel

Reaction Bubble

Premiere of a Collaborative Art Exhibition Commissioned and Produced by Real Art Ways. Reaction Bubble is an installation that includes interactive custom electronics, video, ceramic sculpture, and choreography.

The presentation of Reaction Bubble is the culmination of a four-year collaboration. The artists who worked together to create Reaction Bubble are the team of LoVid (Tali Hinkis and Kyle Lapidus), choreographer Deborah Goffe, and ceramicist Matthew Towers. Real Art Ways introduced the artists to each other in 2012. The project received major support from The Robert Rauschenberg Foundation. Important funders include the Edward C. and Ann T. Roberts Foundation, the J. Walton Bissell Foundation and the National Endowment for the Arts.

Reaction Bubble is inspired by the anthropological field of Proxemics, the study of the impact and significance of physical distances between people as they interact. These distances are described as conceptual bubbles. Each “bubble” is a different size and is appropriate for a specific type of interpersonal interaction: Public Space, Social Space, Personal Space, and Intimate Space. The exhibition employs ceramic sculptures, video, interactive technology and dance to explore the meaning of the interactions influenced by these physical distances.

Throughout the development and process of creating Reaction Bubble, the artists drew inspiration from each other’s artistic fields. One area of interest is the intersection between handmade fine art and new technology. They examined relationships between human bodies and mediated spaces, from urban digital signage to personal smart devices. Reaction Bubble will extend from the artists to audience involvement, forming an immersive installation and performance experience.

The exhibit will be on view through June 19, 2017.

Schedule of Dance Performances:
Friday, June 16, 7 PM
Saturday, June 17, 3 & 7 PM

About the Artists

LoVid is the artist duo of Tali Hinkis and Kyle Lapidus. Their interdisciplinary works explore the often invisible or intangible aspects of contemporary society, such as communication systems and biological signals. They are particularly interested in the ways technology seeps into the evolution of human culture. Their practice includes performances, participatory public art, handmade technologies, textiles, prints, App-art, experimental video, and immersive installations. They focus on the juxtaposition of media with physical objects, geographic spaces, and the human touch. LoVid’s performances have been presented at Museum of the Moving Image, Graham Foundation, Eyebeam, MoMA, FACT, PS1, Real Art Ways and The Kitchen, among many others. LoVid’s videos have been screened in galleries, festivals, and events worldwide including Modern Art Oxford, Art in General, Gene Siskel Theater, International Film Festival Rotterdam, and NY Underground Film Festival.

Deborah Goffe is a performer, dance maker, dance educator, performance curator and intermittent video artist. She is founder of Scapegoat Garden, a Hartford-based collaborative dance theater company, which has served as a primary vehicle and creative community through which Deborah has explored the intersection of dance with other media. A graduate of the University of the Arts (BFA, Modern Dance) and California Institute of the Arts (MFA, Dance Performance and Choreography), Deborah earned a Professional Certificate from Wesleyan University’s Institute for Curatorial Practice in Performance in 2013 where she explored curatorial practice as a way to nurture the health and vitality of local dance eco-systems.

Matthew Towers is an Associate Professor of Ceramics at the Hartford Art School, University of Hartford in Connecticut. His work has been shown nationally and internationally in solo and group exhibitions such as White on White, NCECA 2005 Clay National Exhibition, Greenwich House Pottery, Pewabic Pottery, The Elmhurst Art Museum, The Slater Memorial Museum, The Archie Bray Foundation, the Wexler Gallery and the Philadelphia Clay Studio. Towers received his B.F.A. in Theater from New York University and his M.F.A. in Ceramics from The New York State College of Ceramics at Alfred University.

Tyler Henry – Technical Director

Instrument Portrait Series: HARP – Edmar Castañeda

At the home of Ed and Tracy Church in Hartford.

“One of the most singular and inspired artists on the scene today, Castañeda simultaneously comps, covers bass lines and solos with passion and virtuosity on his unique blue harp.” – Downbeat

“almost a world unto himself” – The New York Times

Please join us on Saturday, March 11, 2017 to listen to the incomparable jazz harpist Edmar Castañeda.

Castañeda’s performing credits include Jazz at Lincoln Center, Carnegie Hall,The John F. Kennedy Center for the Performing Arts and the Tanglewood Jazz Festival. It will be a rare treat to experience his music in an intimate and personal setting.

In addition to his acclaimed performing career as an instrumentalist, Edmar has also performed with Wynton Marsalis and the Jazz at Lincoln Center Orchestra, John Scofield, Marcus Miller, John Patitucci, and Chico O’Farrill’s Afro-Cuban Jazz Big Band.

Experience the infectious charisma and powerful artistry of this amazing musician in a comfortable, intimate setting.

Tickets are $75 | $65 RAW Members

About Edmar Castañeda
Edmar Castaneda was born in 1978, in the city of Bogotá, Colombia. Since his move to the United States in 1994, Edmar has quite literally revolutionized the way audiences and critics alike consider an instrument commonly relegated to the “unusual category.” Paquito D’Rivera, Edmar’s frequent collaborator, has remarked: “Edmar is an enormous talent, he has the versatility and the enchanting charisma of a musician who has taken his harp out of the shadow to become one of the most original musicians from the Big Apple.”

Even now, on stages across the globe, one notes how Edmar’s body seemingly engulfs his Colombian harp as he crafts almost unbelievable feats of cross-rhythms, layered with chordal nuances rivaling the most celebrated flamenco guitarist’s efforts. Edmar’s latest recording “Double Portion,” (which features Miguel Zenon, Cuban pianist Gonzalo Rubalcaba & Hamilton de Holanda on Mandolina) has caught the attention of reviewers and his legion of fans. Rob Young of “Urban Flux Magazine” says of the recording “Edmar Castaneda’s caliber redefines depth, skill and emotion.”

Learn more at Edmar’s Website.

Instrument Portrait Series: HARP – Tasana Camara

RAW presents a series of concerts that examine the harp and its different manifestations both structurally and musically. Each concert features a performance and discussion revolving around the harpist’s craft and the intricacies of their instrument.

About Tasana Camara
Tasana Camara is a world-renowned balafon, djembe, and kora player hailing from Conakry, Guinea in West Africa. He has performed with the Ballet Senegal, Ballet la Maise, Ballet Djouliba, and the National Ballet of Guinea.

He helped found “Group Laiengee” a performing troupe in Guinea composed of children with significant disabilities. In 2008 Tasana and Group Laiengee partnered with Dr. Donald DeVito at The Sidney Lanier Center, a public school in Gainesville, Florida for American students with disabilities. This project was included in the United Nations Compendium on “Music as a Natural Resource” to find ways to make music programs a source of economic opportunity for developing communities around the world.

Camara performed at Carnegie Hall in New York City on May 21, 2010 with the Sidney Lanier School Music Ensemble (musicians from both the American School and Group Laiengee). The performance in New York was funded by a grant from the National Endowment of the Arts.

He currently resides in Western Pennsylvania, teaches music lessons, and performs internationally.