The New Mosaic and
“Standing in the Shadows of Motown” at Real Art Ways

Fantastic Fungi Day has been moved online with a special virtual Q&A conversation with Louie Schwartzberg, Paul Stamets, and Special Guests. Find out more here

Returning for ONE NIGHT on Thursday, March 26!

100% on Rotten Tomatoes

Fantastic Fungi, directed by Louie Schwartzberg, is a consciousness-shifting film that takes us on an immersive journey through time and scale into the magical earth beneath our feet, an underground network that can heal and save our planet. Through the eyes of renowned scientists and mycologists like Paul Stamets, best-selling authors Michael Pollan, Eugenia Bone, Andrew Weil and others, we become aware of the beauty, intelligence and solutions the fungi kingdom offer us in response to some of our most pressing medical, therapeutic, and environmental challenges.

NY TIMES CRITIC PICK

Winner of the Best Documentary award at the Cannes Film Festival, master filmmaker Patricio Guzmán’s The Cordillera of Dreams completes his trilogy (with Nostalgia for the Light and The Pearl Button) investigating the relationship between historical memory, political trauma, and geography in his native country of Chile. It centers on the imposing landscape of the Andes that run the length of the country’s Eastern border. At once protective and isolating, magisterial and indifferent, the Cordillera serves as an enigmatic focal point around which Guzmán contemplates the enduring legacy of the 1973 military coup d’état.

Looking at both the past and future, Guzmán’s work rescues Chile from the threat of historical amnesia. He considers how the neoliberal economic policies introduced under the Pinochet regime have continued to stratify Chilean society along increasingly rigid class lines. The Cordillera may form an omnipresent backdrop to the Chilean landscape, but, like so many parts of the country, much of it is privately owned and inaccessible to the vast majority of the population. Unflinching in its presentation of contemporary Chile, The Cordillera of Dreams moves beyond despair and looks towards the possibilities of political change by linking the ideological struggles of the past with the inequalities of the present.

OPENING FRIDAY, FEBRUARY 28!

CatVideoFest is a compilation reel of the latest and best cat videos culled from countless hours of unique submissions and sourced animations, music videos, and, of course, classic internet powerhouses.

CatVideoFest is a joyous communal experience, only available in theaters, and raises money for cats in need through partnerships with local cat charities, animal welfare organizations, and shelters to best serve cats in the area.  A percentage of the proceeds from our screenings will go to the Connecticut Cat Connection of Windsor.

Seventeen-year-old Franz journeys to Vienna to apprentice at a tobacco shop. There he meets Sigmund Freud, a regular customer, and over time the two very different men form a singular friendship. When Franz falls desperately in love with the music-hall dancer Anezka, he seeks advice from the renowned psychoanalyst, who admits that the female sex is as big a mystery to him as it is to Franz. As political and social conditions in Austria dramatically worsen with the Nazis’ arrival in Vienna, Franz, Freud, and Anezka are swept into the maelstrom of events. Each has a big decision to make: to stay or to flee?

NY TIMES CRITIC PICK

We walk all over it every day of our lives. We plow it, we dig it and we drill it; we cover it up with concrete. We map it and we measure it; we draw our borders onto it, and we imagine that it belongs to us. We live by what it produces and we bury our dead in it. We take its existence for granted; it seems invincible, indestructible. If we consider our planet to be an organism, its crust – just 40 kilometers thick – is its most delicate organ by far.

In a field that has historically embraced few women film critics, Kael was charismatic, controversial, witty, and discerning. Her decades-long berth at The New Yorker energized her fans (“Paulettes”) and infuriated her detractors on a weekly basis. Her turbo-charged prose famously championed the New Hollywood Cinema of the late 1960s and ‘70s (BONNIE AND CLYDE, NASHVILLE, CARRIE, TAXI DRIVER) and the work of major European directors (François Truffaut, Bernardo Bertolucci), while mercilessly panning some of the biggest studio hits (THE SOUND OF MUSIC, MIDNIGHT COWBOY, DIRTY HARRY).

As Europe erupts into World War II, 9-year-old Martin comes to love his new brother Dovidl, a highly gifted violin prodigy of the same age and recent Polish-Jewish refugee to London. But hours before Dovidl’s debut concert performance at the age of 21, he vanishes without a trace, causing shame and ruin for their family. A lifetime later, a young violinist shows a 56-year-old Martin a stylistic flourish that could only have been taught by Dovidl. This triggers Martin’s odyssey overseas in search of his lost brother, one that will lead to surprising revelations for both men and for Helen, the woman who stood between them.

Based on the thrilling and inspirational life of an iconic American freedom fighter, HARRIET tells the extraordinary tale of Harriet Tubman’s escape from slavery and transformation into one of America’s greatest heroes. Her courage, ingenuity, and tenacity freed hundreds of slaves and changed the course of history.

Ian McKellen as Roy Courtnay and Helen Mirren as Betty McLeish in New Line Cinema’s suspense thriller “The Good Liar.”(Chiabella James/Warner Bros. Pictures)

Career con artist Roy Courtnay (Ian McKellen) can hardly believe his luck when he meets well-to-do widow Betty McLeish (Helen Mirren) online. As Betty opens her home and life to him, Roy is surprised to find himself caring about her, turning what should be a cut-and-dry swindle into the most treacherous tightrope walk of his life.

Tom Hanks as Mr. Rogers in A Beautiful Day in the Neighborhood

Opening Friday 12/20

Tom Hanks portrays Mister Rogers in A Beautiful Day in the Neighborhood, a timely story of kindness triumphing over cynicism, based on the true story of a real-life friendship between Fred Rogers and journalist Tom Junod. After a jaded magazine writer (Emmy winner Matthew Rhys) is assigned a profile of Fred Rogers, he overcomes his skepticism, learning about kindness, love and forgiveness from America’s most beloved neighbor.

Anne, Bolex camera and giraffes. 2017. Anne Innis Dagg with a 16 mm film camera, and a giraffe in the background.

In 1956, four years before Jane Goodall ventured into the world of chimpanzees and seven years before Dian Fossey left to work with mountain gorillas – in fact, before anyone, man or woman had made such a trip – 23-year-old Canadian biologist, Anne Innis Dagg, made an unprecedented solo journey to South Africa to become the first person in the world to study animal behaviour in the wild on that continent. When she returned home a year later armed with ground-breaking research, the insurmountable barriers she faced as a female scientist proved much harder to overcome. This was the catalyst that transformed Anne into a feminist activist.

In The Woman Who Loves Giraffes, an older (now 85), wiser Anne takes us on her first expedition back to Africa to retrace where her trail-blazing journey began more than half a century ago. By retracing her original steps, and with letters and stunning, original 16mm film footage, Anne offers an intimate window into her life as a young woman, juxtaposed with a first hand look at the devastating reality that giraffes are facing today.

Both the world’s first ‘giraffologist’, whose research findings ultimately became the foundation for many scientists following in her footsteps, and the species she loves have each experienced triumphs as well as nasty battle scars. The Woman Who Loves Giraffes gives us a moving perspective on both.