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Frantz

Set in Germany and France in the immediate aftermath of the First World War, (1914-1918), Frantz recalls the mourning period that follows great national tragedies as seen through the eyes of the war’s “lost generation”: Anna (21 year-old Paula Beer in a breakthrough performance), a bereft young German woman whose fiancé, Frantz, was killed during trench warfare, and Adrien (Pierre Niney, Yves Saint Laurent), a French veteran of the war who shows up mysteriously in her town, placing flowers on Frantz’s grave.

Adrien’s presence is met with resistance by the small community still reeling from Germany’s defeat, yet Anna gradually gets closer to the handsome and melancholy young man, as she learns of his deep friendship with Frantz, conjured up in evocative flashbacks.

What follows is a surprising exploration of how Ozon’s characters’ wrestle with their conflicting feelings – survivor’s guilt, anger at one’s losses, the overriding desire for happiness despite everything that has come before, and the longing for sexual, romantic and familial attachments.

Ozon drew his inspiration from a post-WWI play by Maurice Rostand that inspired the 1932 film adaption by Ernst Lubitsch under the title Broken Lullaby.

1984 – National Screening Day

On April 4, 2017, almost 90 art house movie theatres across the country in 79 cities and in 34 states, plus one location in Canada, will be participating collectively in a NATIONAL EVENT DAY screening of the 80’s movie 1984 starring John Hurt, who sadly died last month.

This date was chosen because it’s the day George Orwell’s protagonist Winston Smith begins rebelling against his oppressive government by keeping a forbidden diary. These theaters owners also strongly believe in supporting the National Endowment for the Arts and see any attempt to scuttle that program as an attack on free speech and creative expression through entertainment. This event provides a chance for communities around the country to show their unity and have their voices heard.

Orwell’s novel begins with the sentence, “It was a bright cold day in April, and the clocks were striking thirteen.” Less than one month into the new presidential administration, theater owners collectively believe the clock is already striking thirteen. Orwell’s portrait of a government that manufactures their own facts, demands total obedience, and demonizes foreign enemies, has never been timelier.

The endeavor encourages theaters to take a stand for our most basic values: freedom of speech, respect for our fellow human beings, and the simple truth that there are no such things as ‘alternative facts.’ By doing what they do best – showing a movie – the goal is that cinemas can initiate a much-needed community conversation at a time when the existence of facts, and basic human rights are under attack.

Through nationwide participation and strength in numbers, these screenings are intended to galvanize people at the crossroads of cinema and community, and bring us together to foster communication and resistance against current efforts to undermine the most basic tenets of our society.

Deconstructing Sgt. Pepper’s Lonely Hearts Club Band

The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band is one of the most influential albums of our time. Rolling Stone described it as “the most important rock & roll album ever made, an unsurpassed adventure in concept, sound, songwriting, cover art and studio technology by the greatest rock & roll group of all time.”

In Deconstructing Sgt. Pepper’s Lonely Hearts Club Band, composer, musician, and Beatles expert Scott Freiman looks at Sgt. Pepper from multiple angles, exploring the history behind the music. Mr. Freiman conducts an educational journey into the creative process of The Beatles performances and recording sessions. You are guaranteed to leave amazed at The Beatles’ innovation in the studio and have a newfound appreciation for the talents of Lennon, McCartney, Harrison, and Starr.

On the Radio
Scott Freiman, along with music critic Steve Metcalf, appeared on the Colin McEnroe Show on WNPR on Tuesday, April 4. They discussed Sgt. Pepper’s Lonely Hearts Band and its musical and cultural impact. Listen to the show at this link.

My Life as a Zucchini

2017 Academy Award Nominee, Best Animated Feature

“Zucchini” is befriended by a police officer, Raymond, who accompanies him to his new foster home, filled with other orphans his age.

At first he struggles to find his place in this strange environment. But with Raymond’s help and his newfound friends, Zucchini eventually learns to trust and love, as he searches for a new family of his own.

From its debut in Director’s Fortnight at Cannes to winning audience awards at festivals around the world, this accomplished debut feature from director Claude Barras, based on a script from acclaimed writer/director Céline Sciamma (GirlhoodTomboy), was nominated for both an Academy Award® and Golden Globe Award® for Best Animated Feature.

Brought to life through memorable character designs and expressive stop-motion animation, the story soars with laughter, sorrow, and joy, and stands as a testament to the resilience of the human heart.

Voices by Will Forte, Nick Offerman, Ellen Page, and Amy Sedaris.

Film 101: The Purple Rose of Cairo

Woody Allen blurs the the boundaries between the real and unreal in this unique comic fantasy.

The scene is a small town in the mid-1930s. Trapped in a dead-end job and an abusive marriage, Cecelia (Mia Farrow) regularly seeks refuge in the local movie house. She becomes so enraptured by the latest attraction, an RKO screwball comedy called The Purple Rose of Cairo, that she returns to the theatre day after day.

During one of these visits, the film’s main character Tom Baxter (Jeff Daniels), pauses in his dialogue, turns towards the audience, and says to Cecelia, “My God, how you must love this picture.” Then he climbs out of the movie, much to the consternation of the rest of the audience and the other characters on screen.

Liberated from his customary black-and-white environs, he accompanies Cecelia on a tour of the town, eventually falling in love with her. Meanwhile, the other Purple Rose characters, unable to proceed with the film, carry on a discussion with themselves.

Desperately, the RKO executives seek out Gil Shepherd, the actor who played the hero of Purple Rose. Shepherd (also played by Daniels), is sent to Cecelia’s hometown to see if he can repair the damage.

Film 101: M*A*S*H

Although he was not the first choice to direct it, the hit black comedy MASH established Robert Altman as one of the leading figures of Hollywood’s 1970s generation of innovative and irreverent young filmmakers.

Scripted by Hollywood veteran Ring Lardner, Jr., this war comedy details the exploits of military doctors and nurses at a Mobile Army Surgical Hospital in the Korean War.

Between exceptionally gory hospital shifts and countless rounds of martinis, wisecracking surgeons Hawkeye Pierce (Donald Sutherland) and Trapper John McIntyre (Elliott Gould) make it their business to undercut the smug, moralistic pretensions of Bible-thumper Maj. Frank Burns (Robert Duvall) and Army true-believer Maj. “Hot Lips” Houlihan (Sally Kellerman).

Abetted by such other hedonists as Duke Forrest (Tom Skerritt) and Painless Pole (John Schuck), as well as such (relative) innocents as Radar O’Reilly (Gary Burghoff), Hawkeye and Trapper John drive Burns and Houlihan crazy while engaging in such additional blasphemies as taking a medical trip to Japan to play golf, staging a mock Last Supper to cure Painless’s momentary erectile dysfunction, and using any means necessary to win an inter-MASH football game.

MASH creates a casual, chaotic atmosphere emphasizing the constant noise and activity of a surgical unit near battle lines; it marked the beginning of Altman’s sustained formal experiments with widescreen photography, zoom lenses, and overlapping sound and dialogue, further enhancing the atmosphere with the improvisational ensemble acting for which Altman’s films quickly became known.

Although the on-screen war was not Vietnam, MASH’s satiric target was obvious in 1970, and Vietnam War-weary and counter-culturally hip audiences responded to Altman’s nose-thumbing attitude towards all kinds of authority and embraced the film’s frankly tasteless yet evocative humor and its anti-war, anti-Establishment, anti-religion stance.

MASH became the third most popular film of 1970 after Love Story and Airport, and it was nominated for five Academy Awards, including Best Picture and Best Director. As further evidence of the changes in Hollywood’s politics, blacklist survivor Lardner won the Oscar for his screenplay.

MASH began Altman’s systematic 1970s effort to revise classic Hollywood genres in light of contemporary American values, and it gave him the financial clout to make even more experimental and critical films like McCabe and Mrs. Miller (1971), California Split (1974), and Nashville (1975). It also inspired the long-running TV series starring Alan Alda as Hawkeye and Burghoff as Radar. With its formal and attitudinal impudence, and its great popularity, MASH was one more confirmation in 1970 that a Hollywood “New Wave” had arrived.

Film 101: Duck Soup

Arguably the Marx Brothers’ funniest film, this comedy masterpiece contains several famous scenes, including the hilarious mirror sequence. A wealthy widow offers financial aid to the bankrupt country of Freedonia on condition that Rufus T. Firefly be made leader. But his chaotic, inept regime bumbles into war with neighboring Sylvania.

Film 101: Some Like It Hot

The film was based on the German comedy Fanfaren der Liebe (1951), in which two musicians dress in drag to join an all-girls band and end up falling for the lead singer. But aside from the central plot elements, Some Like it Hot does not suffer from a lack of originality. Rather, it takes an already clever premise and injects some of the finest writing ever done.

This time, it’s 1929 Chicago, and saxophonist Joe (Tony Curtis) and bass-player Jerry (Jack Lemmon) are the only two eye-witnesses to the infamous St. Valentine’s Day Massacre.

Hunted by the tommy-gun gangsters of mob boss Spats Columbo (George Raft), the duo decides their only hope is to dress in drag as “Josephine” and “Daphne” and join an all-girl band on a train from Chicago to a Florida beach resort.

Hilarity ensues when: (a) both men fall for the band’s voluptuous singer, Sugar Kane Kowalczyk (Marilyn Monroe); (b) Jerry a.k.a. “Daphne” is courted by one of the resort’s elderly playboys, Osgood Fielding III (Joe E. Brown); and (c) Spats and crew show up at the resort for a bloody gangster conference.

Sherlock, Jr.

This 1924 silent classic is not as well known as it should be. Keaton plays a young man who works as a projectionist and janitor in the local movie theater. (He’s also reading a book about how to become a detective.)

Wrongly accused of theft — his romantic rival stole a pocket watch from his girlfriend’s house and pawned it, then framed Keaton so her father sends him away in disgrace — he returns to his job and falls asleep during a screening. He dreams of stepping into the movie and becoming a great detective on the trail of stolen pearls.

Not only do all the other real people in his life turn up in the film, but he performs feats of detection and athletic skill: the film concludes with a thrilling chase in which Keaton rides a motorcycle’s handlebars, not knowing the driver has fallen off, and some split-second stunts. Both the stunts and the special effects were decades ahead of their time.

You’re Killing Me Susana

You’re Killing Me Susana centers on Eligio (Gael García Bernal), a narcissistic Mexico City soap actor whose wife Susana (Verónica Echegui) has left him without uttering a word. Discovering she’s enrolled in a writing program at an Iowa university, he decides to go after her and persuade her to return to him, but upon arriving soon discovers she’s already moved on. Eligio soon learns it’s going to take a lot more than his usual boyish charisma and sweet talk to win her back.

Based on the novel Deserted Cities (Ciudades Desiertas) by José Agustín, it’s directed by by Roberto Sneider (Tear This Heart Out) and cowritten by Sneider and Luis Camara. You’re Killing Me Susana also stars Ashley Grace, Jadyn Wong, Björn Hlynur Haraldsson and Adam Hurtig.

The Red Turtle

2017 Academy Award Nominee for Best Animated Feature Film

Through the story of a man shipwrecked on a tropical island inhabited by turtles, crabs and birds, The Red Turtle recounts the milestones in the life of a human being.

Tanna

2017 Academy Award Nominee for Best Foreign Language Film.

Tanna is set in the South Pacific where Wawa, a young girl from one of the last traditional tribes, falls in love with her chief’s grandson, Dain. When an intertribal war escalates, Wawa is unknowingly betrothed as part of a peace deal.

The young lovers run away, but are pursued by enemy warriors intent on killing them.

They must choose between their hearts and the future of the tribe, while the villagers must wrestle with preserving their traditional culture and adapting it to the increasing outside demands for individual freedom.

Tanna is based on a true story and performed by the people of Yakel in Vanuatu.

Tanna, an extraordinary Australia/Vanuatu co-production, is a Romeo and Juliet story set in one of the world’s last true tribal societies. It is the first feature film shot entirely in the South Pacific nation of Vanuatu, in a village called Yakel.

The people of this remote community, high in the mountain rainforests near a spitting volcano, truly wear grass skirts and penis sheaths and have rejected colonial and Christian influences in favor of their traditional and pure “Kastom” system of laws and beliefs. Their customs and lifestyle have changed little for centuries.

Before Tanna, they had never before seen a movie or a camera, yet welcomed the filmmakers to live with the tribe for seven months where they absorbed stories and observed ceremonies, with the input and collaboration of the local people.

None of the ‘cast’ had ever acted before, but astonishingly, they passionately and naturally re-created this real-life story from recent tribal history as if they had had years of training.

The movie recently won the Directors Guild of Australia award for Best Director. Earlier, the movie premiered at the Venice Film Festival this past fall, where it won the Audience Award in the International Critics Week sidebar as well as the Best Cinematography prize.

Awards:
Audience Award – Venice Critics’ Week
Best Cinematography – Venice Critics’ Week
Gold Medal, Bentley Dean – Australian Cinematographers Society Victoria Tasmania
Best Director – Skip City International D-Cinema Festival
Longscapes Competition Award – Lake Como Film Festival

I Am Not Your Negro

Held over for a fourth smash week!

2017 Academy Award Nominee, Best Documentary Feature

In 1979, James Baldwin wrote a letter to his literary agent describing his next project, Remember This House. The book was to be a revolutionary, personal account of the lives and successive assassinations of three of his close friends—Medgar Evers, Malcolm X and Martin Luther King, Jr.

At the time of Baldwin’s death in 1987, he left behind only thirty completed pages of his manuscript.

Now, in his incendiary new documentary, master filmmaker Raoul Peck envisions the book James Baldwin never finished. The result is a radical, up-to-the-minute examination of race in America, using Baldwin’s original words and flood of rich archival material.

I Am Not Your Negro is a journey into black history that connects the past of the Civil Rights movement to the present of #BlackLivesMatter. It is a film that questions black representation in Hollywood and beyond. And, ultimately, by confronting the deeper connections between the lives and assassination of these three leaders, Baldwin and Peck have produced a work that challenges the very definition of what America stands for.

 

Things to Come

HELD OVER – Starring Isabelle Huppert, 2017 Academy Award Nominee for Lead Actress

French writer-director Mia Hansen-Løve (Eden, Goodbye First Love) directs the great Isabelle Huppert in this delicate and affecting tale about a middle-aged professor whose carefully structured life is thrown into disarray when her husband leaves her for another woman, and who finds an unlikely new companion in a former student and radical young communist.

Nathalie (Huppert, also appearing in Souvenir and Elle) is a dedicated and demanding teacher, wife, and mother. She runs her relationships with the same rigor she brings to her study of philosophy. But when Nathalie’s husband announces that he’s leaving her for another woman, the meticulously crafted structures on which her existence is founded begin to crumble.

Truly on her own for the first time, except for a less-than-grateful cat, Natalie is daunted by this new world — until she finds an unlikely friend in a former student, the radical young communist Fabien (Roman Kolinka).

The film is infused with a generous patience. Huppert brings a quiet strength to the character of Nathalie, and Hansen-Løve films her tale with elegance and grace.

Things to Come is heartbreaking but never sentimental, wry but never ironic. It shows that, even though life may never get any easier, it nevertheless offers ceaseless opportunities for growth.

Nocturnal Animals

Winner of the Grand Jury Prize at the 2016 Venice International Film Festival.

From writer/director Tom Ford comes a haunting romantic thriller of shocking intimacy and gripping tension that explores the thin lines between love and cruelty, and revenge and redemption.

Academy Award nominees Amy Adams and Jake Gyllenhaal star as a divorced couple discovering dark truths about each other and themselves.

Kedi

Hundreds of thousands of Turkish cats roam the metropolis of Istanbul freely. For thousands of years they’ve wandered in and out of people’s lives, becoming an essential part of the communities that make the city so rich.

Claiming no owners, the cats of Istanbul live between two worlds, neither wild nor tame –and they bring joy and purpose to those people they choose to adopt.

In Istanbul, cats are the mirrors to the people, allowing them to reflect on their lives in ways nothing else could.

Critics and internet cats agree – this cat documentary will charm its way into your heart and home as you fall in love with the cats in Istanbul. This film is a sophisticated take on your typical cat video that will both dazzle and educate.

I, Daniel Blake

Winner of the Palme d’Or at the 2016 Cannes Film Festival.

The latest from legendary director Ken Loach is a gripping, human tale about the impact one man can make.

Daniel Blake (Dave Johns) has worked as a joiner most of his life in Newcastle. Now, for the first time ever, he needs help from the State. Gruff but goodhearted, Blake is a man out of time: a widowed woodworker who’s never owned a computer, he lives according to his own common sense moral code.

But after a heart attack leaves him unable to work and the state welfare system fails him, the stubbornly self-reliant Daniel must stand up and fight for his dignity, leading a one-man crusade for compassion.

He crosses paths with a single mother Katie (Hayley Squires) and her two young children, Daisy and Dylan. Katie’s only chance to escape a one-roomed homeless hostel in London has been to accept a flat in a city she doesn’t know, some 300 miles away.

Daniel and Katie find themselves in no-man’s land, caught on the barbed wire of welfare bureaucracy as played out against the rhetoric of ‘striver and skiver’ in modern day Britain.

Graced with humor and heart, I, Daniel Blake is a moving, much-needed reminder of the power of empathy from one of the world’s greatest living filmmakers.

My Love Affair with the Brain: The Life and Science of Dr. Marian Diamond

NATIONAL EVENING OF SCIENCE ON SCREEN®

Enrichment, plasticity – capabilities of the brain we now take for granted – were the scientific battleground where Dr. Marian Diamond decisively challenged the old view and changed forever our paradigm for understanding the brain … and all our lives as well.  What she revealed about the brain allows us to get the most out of our brain, not just as children but for our entire lives.

Her YouTube lecture series has almost 2 million hits. She did the first-ever scientific analysis of the most famous brain ever, Albert Einstein. She is a beloved professor, worthy role model especially for women and girls in science, and all round brain-whisperer.

The documentary is part biography, part scientific adventure story, part inspirational tale – filmed over 5 years.

Before the film, Wendy Suzuki, Ph.D., Professor of Neural Science and psychology at New York University, will speak on the effects of exercise on the brain. The film’s co-director Catherine Ryan will field Q&A after the film via Skype.

About Science on Screen®

An initiative of the COOLIDGE CORNER THEATRE
With major support from the ALFRED P. SLOAN FOUNDATION

Coolidge Corner Theatre started Science on Screen in 2005 with funding from the Alfred P. Sloan Foundation. The program went national in 2011. Real Art Ways was one of the eight original theaters chosen nationally to receive funding to curate our own series.

Science on Screen

About the Speaker
Wendy Suzuki, Ph.D. is a Professor of Neural Science and psychology at New York University. She received her undergraduate degree from U.C. Berkeley and her Ph.D. in Neuroscience from U.C. San Diego. She completed a post-doctoral fellowship at the National Institutes of Health before starting her faculty position in the Center for Neural Science at New York University in 1998.

Wendy is a recipient of numerous grants and awards for her research including the Lindsley Prize from the Society for Neuroscience, the prestigious Troland Research award from the National Academy of Sciences and NYU’s Golden Dozen Teaching award.

Her research has focused on understanding the patterns of brain activity underlying long-term memory and understanding how aerobic exercise affects mood, learning, memory and cognitive abilities.

Her first book “Healthy Brain Happy Life” came out in paperback in March of 2016 and is an international bestseller.

 

Mifune: The Last Samurai

Toshiro Mifune (1920-97) was the most prominent actor of Japan’s Golden Age of Cinema in the 1950s and 60s. He appeared in nearly 170 films, but his most compelling work was with director Akira Kurosawa with whom he made 16 films.  Together they created enduring works of art — RASHOMONSEVEN SAMURAI, THRONE OF BLOOD, YOJIMBO, THE BAD SLEEP WELL, RED BEARD — that thrilled audiences and influenced filmmaking around the world. Without them, there would be no MAGNIFICENT SEVEN, Clint Eastwood wouldn’t have A FISTFUL OF DOLLARS, and Darth Vader wouldn’t be a samurai.

Just as John Ford and John Wayne elevated the American Western, exploring the human side of America’s violent expansion, Kurosawa and Mifune transformed the chanbara film, the period sword fighting movie, into bold, provocative narratives that pushed beyond the boundaries of the genre and examined the role of the individual in society. Mifune – wry, charismatic and deadly — was the first non-white action star to attract international attention.

MIFUNE: THE LAST SAMURAI explores the evolution of Chanbara movies; Mifune’s World War II experience; his accidental entry into moviemaking; and fortuitous collaboration with Kurosawa. The film is narrated by Keanu Reeves; directed by Academy Award-winning filmmaker Steven Okazaki; and produced by Toshiaki Nakazawa (13 ASSASSINS and the Academy Award-winning DEPARTURES) and Toichiro Shiraishi.  It focuses on six of Mifune’s greatest films and features interviews with Steven Spielberg, Martin Scorsese, Teruyo Nogami (Kurosawa’s longtime script supervisor), Kyoko Kagawa (RED BEARD), Yoshio Tsuchiya (SEVEN SAMURAI), Takeshi Kato (THRONE OF BLOOD), Yoko Tsukasa (YOJIMBO), and many others.

Little Sister

October, 2008. Young nun Colleen (Addison Timlin) is avoiding all contact from her family, until an email from her mother announces, “Your brother is home.”

On returning to her childhood home in Asheville, NC, she finds her old room exactly how she left it: painted black and covered in goth/metal posters.

Her parents (Ally Sheedy & Peter Hedges) are happy enough to see her, but unease and awkwardness abounds. Her brother (Keith Poulson) is living as a recluse in the guesthouse since returning home from the Iraq war.

During Colleen’s visit, tensions rise and fall with a little help from Halloween, pot cupcakes, and GWAR.

Little Sister is a dark comedy about family – a schmaltz-free, pathos-drenched, feel good movie for the little goth girl inside us all.